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Unlimited freedom in art: Jackson Pollock

Year 2024, Volume: 5 Issue: 1, 67 - 76, 30.03.2024
https://doi.org/10.5281/zenodo.10848120

Abstract

Expressionist artist Jackson Pollock is one of the painters who made an important breakthrough in the history of art. The artist has boldly used the new signs of life of art on his canvases and created the most creative works. In his works, which he performs with melody-laden, dazzling colors, he has performed works that do not overdo it, just as if they reflect a universal harmony. Pollock's introverted works, which do not cling to a rational utopia, have an understanding that does not get stuck in a distant past. He also has the goal of getting rid of scary truths and expressing the truth that he is after. Reflecting his boundless energy on his canvas, Jackson Pollock opposed the forms imposed on him and took steps towards creating his own form and style. Abstract Expressionism is not an aimless art, it reconsiders the reality of the inner world. Reflecting a reality of the embodied mind, Jackson Pollock creates an expression of the embodied inner world in mental enlightenment. Jackson Pollock, who freely reflects his boundless energy on his canvases, opposed the forms imposed on him. Jackson Pollock, who revealed the testability of art in a poetic universe instead of taking refuge in spiritual realities, realized his works with an optimistic atmosphere aimed at artistic freedom. The artist Jackson Pollock, who uses an unlimited freedom in his works, has pushed the boundaries of the art he is passionately attached to. Pollock, whose thoughts on art were very clear and obvious, broke the chain of bondage in art and presented new ideas for art. Therefore, the artist's adoption of an understanding of art in this way has revealed a different approach to art. This has created differentiated formations in the art environment and has led to many researches. In this direction, this article is intended to address a series of works by Jackson Pollock depicting the boundless creativity of the artist, which are mentioned in the understanding of art adopted by the artist and the Decoupling between his work. In this sense, the necessary data have been scanned and the point where the art field has also gained a place has been touched upon.

References

  • Ahmetoğlu, Ü., & Denli, S. (2013). The emergence of abstract expressionism and its reflections on Turkish painting. Inonu University Art and Design Journal, 3(8), 173-188.
  • Elmas, H. (2006). What Was Art in The Context of Freedom from The Nineteenth Century to The Present, What Happened? Journal of Selcuk University Institute of Social Sciences, (15), 281-298.
  • Erdoğdu, N., & Tatar, A. G. (2021). The Effect of Randomness and Improvisation on the Creation Process of Jackson Pollock. 8(51), 448-462.
  • Görek, G. (2020). Modern Art. Journal of Modernism and Postmodernism Studies (Jomops), 1(2), 10-22.
  • Hajali, S. (2016). Abstract Expressionism: A Case Study on Jackson Pollock's Works. Journal of History Culture and Art Research, 5(4), 311-320.
  • Hunter, S., Pollock, J., & Karpel, B. (1956). Jackson Pollock. The Bulletin of the Museum of Modern Art, 24(2), 3-36.
  • Kalfa, Z. (2016). 20. The Art of Century Painting and New York. Journal of Art and Design, 6(1), 16-33.
  • Kalfa, Z. (2019). The Last Bohemian in America: Jackson Pollock. Istanbul Aydın University Journal of Fine Arts Faculty, 5(10), 115-133.
  • Karabaş, P. A., & Polat, A. (2016). Abstract Expressionism with Its Rise and Pioneering Artists. Journal of Art and Education, 4(1), 37-52
  • Lynton, N. (1991). The Story of Modern Art. Çapan, C., Öziş, S. (Trans.). Istanbul, Remzi Bookstore.
  • Millard, C. W. (1983). Jackson Pollock. The Hudson Review, 36(2), 338-344.
  • Öztürk Kamışoğlu, S. (2012). The Relationship between Jackson Pollock and Jung. Unpublished Master's Thesis. Işık University, Istanbul.
  • Rampley, M. (1996). Identity and Difference: Jackson Pollock and the ideology of the drip. Oxford Art Journal, 19(2), 83-94.
  • Sırc, G. (2002). The American Action Writers. In English Composition as A Happening (pp. 69–120). University Press of Colorado. https://doi.org/10.2307/j.ctt46nx7x.5
  • Yener, T. (2006). The Study of Existentialist Traces from The Plastic Point of View İn The Works of Bacon, Malevich, Pollock and Giacometti. Unpublished Master's Thesis. Institute of Social Sciences, Süleyman Demirel University, Isparta.
  • Visual Bibliography
  • Figure 1. https://yandex.com.tr/gorsel/search?family=yes&lr=103885&text=Jackson%20Pollock
  • Figure 2. https://www.wikiart.org/en/jackson-pollock/no-1-1948
  • Figure 3. https://www.wikiart.org/en/jackson-pollock/reflections-of-the-big-dipper-1947
  • Figure 4. https://www.wikiart.org/en/jackson-pollock/number-3-1948
  • Figure 5. https://www.wikiart.org/en/jackson-pollock/not_detected_185248
Year 2024, Volume: 5 Issue: 1, 67 - 76, 30.03.2024
https://doi.org/10.5281/zenodo.10848120

Abstract

References

  • Ahmetoğlu, Ü., & Denli, S. (2013). The emergence of abstract expressionism and its reflections on Turkish painting. Inonu University Art and Design Journal, 3(8), 173-188.
  • Elmas, H. (2006). What Was Art in The Context of Freedom from The Nineteenth Century to The Present, What Happened? Journal of Selcuk University Institute of Social Sciences, (15), 281-298.
  • Erdoğdu, N., & Tatar, A. G. (2021). The Effect of Randomness and Improvisation on the Creation Process of Jackson Pollock. 8(51), 448-462.
  • Görek, G. (2020). Modern Art. Journal of Modernism and Postmodernism Studies (Jomops), 1(2), 10-22.
  • Hajali, S. (2016). Abstract Expressionism: A Case Study on Jackson Pollock's Works. Journal of History Culture and Art Research, 5(4), 311-320.
  • Hunter, S., Pollock, J., & Karpel, B. (1956). Jackson Pollock. The Bulletin of the Museum of Modern Art, 24(2), 3-36.
  • Kalfa, Z. (2016). 20. The Art of Century Painting and New York. Journal of Art and Design, 6(1), 16-33.
  • Kalfa, Z. (2019). The Last Bohemian in America: Jackson Pollock. Istanbul Aydın University Journal of Fine Arts Faculty, 5(10), 115-133.
  • Karabaş, P. A., & Polat, A. (2016). Abstract Expressionism with Its Rise and Pioneering Artists. Journal of Art and Education, 4(1), 37-52
  • Lynton, N. (1991). The Story of Modern Art. Çapan, C., Öziş, S. (Trans.). Istanbul, Remzi Bookstore.
  • Millard, C. W. (1983). Jackson Pollock. The Hudson Review, 36(2), 338-344.
  • Öztürk Kamışoğlu, S. (2012). The Relationship between Jackson Pollock and Jung. Unpublished Master's Thesis. Işık University, Istanbul.
  • Rampley, M. (1996). Identity and Difference: Jackson Pollock and the ideology of the drip. Oxford Art Journal, 19(2), 83-94.
  • Sırc, G. (2002). The American Action Writers. In English Composition as A Happening (pp. 69–120). University Press of Colorado. https://doi.org/10.2307/j.ctt46nx7x.5
  • Yener, T. (2006). The Study of Existentialist Traces from The Plastic Point of View İn The Works of Bacon, Malevich, Pollock and Giacometti. Unpublished Master's Thesis. Institute of Social Sciences, Süleyman Demirel University, Isparta.
  • Visual Bibliography
  • Figure 1. https://yandex.com.tr/gorsel/search?family=yes&lr=103885&text=Jackson%20Pollock
  • Figure 2. https://www.wikiart.org/en/jackson-pollock/no-1-1948
  • Figure 3. https://www.wikiart.org/en/jackson-pollock/reflections-of-the-big-dipper-1947
  • Figure 4. https://www.wikiart.org/en/jackson-pollock/number-3-1948
  • Figure 5. https://www.wikiart.org/en/jackson-pollock/not_detected_185248
There are 21 citations in total.

Details

Primary Language English
Subjects Painting
Journal Section Painting
Authors

Ahmet Göktuğ Kılıç 0000-0002-2831-789X

Bayram Dede 0000-0003-1168-4068

Early Pub Date March 14, 2024
Publication Date March 30, 2024
Submission Date January 14, 2024
Acceptance Date March 14, 2024
Published in Issue Year 2024 Volume: 5 Issue: 1

Cite

APA Kılıç, A. G., & Dede, B. (2024). Unlimited freedom in art: Jackson Pollock. Journal for the Interdisciplinary Art and Education, 5(1), 67-76. https://doi.org/10.5281/zenodo.10848120

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